• Michelle Ryan-Sautour, Benaouda Lebdaï and Laurent Lepaludier
  Foreword [Full text]
• Laurent Lepaludier
  What is this voice I read? Problematics of orality in the short story [Full text]
• John Ford
  In romance as we read and as we hear in geste written orality in the medieval “Short story” : the verse romances of the 13^th & 14^th centuries [Full text]
• Anthony Cordingley
  The reading eye from scriptura continua to modernism: orality and punctuation between Beckett’s L’image and Comment c’est/How It is [Full text]
• Laurence Cossu-Beaumont
  Orality in Richard Wright's short stories: playing and surviving [Full text]
• Trinna S. Frever
  “Mah Story Ends,” or Does It?: Orality in Zora Neale Hurston’s “The Eatonville Anthology” [Full text]
• Fabienne Dabrigeon-Garcier
  A modern ‘seanachie’ : oral storytelling structures in Frank O’Connor’s early stories [Full text]
• Teresa Gibert
  “Written orality in Thomas King's short fiction” [Full text]
• Laurie Kruk
  Storykeepers: circling family voice in stories by Thomas King, Olive Senior, Alistair Macleod and Guy Vanderhaeghe [Full text]
• Denise Ginfray
  Voicing and voices in two australian short stories: “The hairy man” (Henry Lawson 1907) and “The curse” (Katharine Susannah Prichard 1932) [Full text]
• Heidi Van den Heuvel-Disler
  Taking the performance to the page: Stories from the South Pacific [Full text]
• Judith Misrahi-Barak
  “My mouth is the keeper of both speech and silence…”, or The Vocalisation of Silence in Caribbean short stories by Edwidge Danticat [Full text]
• Marie-Annick Montout
  The intrinsic written quality of the spoken word in Olive Senior's short fiction [Full text]
• Timothy Weiss
  Orality and the Reader: Cultural and Transcultural Elements in Achebe’s Girls at War [Full text]

• Author Interview

• Laurent Lepaludier
  An interview with Sandi Russell [Full text]
  Angers 26^th November 2005

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