Mots-clés – trauma

Article

• Solène Camus
  ‘“But will I write disgustingly?” The Shock of Transmission in Martin Amis’s The Zone of Interest’ [Full text]
  Published in Études britanniques contemporaines, 66 | 2024
• Lise Lefebvre
  Circularity and Circulation in Peter Ackroyd’s Life Narratives: Chatterton, English Music and The House of Doctor Dee [Full text]
  Published in Études britanniques contemporaines, 66 | 2024
• Quitterie de Beauregard
  Ruins of the Future: Decaying Urban Landscapes in Richard Jefferies, J.G. Ballard and Angela Carter’s Speculative Fiction (After London, The Drowned World and The Passion of New Eve) [Full text]
  Published in Études britanniques contemporaines, 63 | 2022
• Héloïse Lecomte
  Sherlocking One’s Way into Empathetic and Generic (Re)birth: (In)quests of Mourning in Penelope Lively’s The Photograph (2003) [Full text]
  Published in Études britanniques contemporaines, 62 | 2022
• Pascale Tollance
  Gone up in Smoke: (Un)making the Landscape in Graham Swift’s Wish You Were Here [Full text]
  Published in Études britanniques contemporaines, 55 | 2018
• Christian Gutleben
  A Cracked Construction: Postmodernist Fragmentation and Fusion in McEwan’s Atonement [Full text]
  Published in Études britanniques contemporaines, 55 | 2018
• Jean-Michel Ganteau
  Diffracted Landscapes of Attention: Jon McGregor’s Reservoir 13 [Full text]
  Published in Études britanniques contemporaines, 55 | 2018
• Christine Reynier
  Joseph Conrad’s The Rover (1923) as A Tale of Post-War Reconstruction [Full text]
  Published in Études britanniques contemporaines, 54 | 2018
• Bhawana Jain
  Rethinking the Figure of the Refugee in Caryl Phillips’s A Distant Shore [Full text]
  Published in Études britanniques contemporaines, 54 | 2018
• Alexandre Privat
  Historical Dispossession in Adam Thorpe’s Ulverton [Full text]
  Published in Études britanniques contemporaines, 53 | 2017
• David Waterman
  The Family, Constructed Reality and Collective Traumatic Memory: Pat Barker’s Another World [Full text]
  Published in Études britanniques contemporaines, 36 | 2009
• Claire Patin
  Les mémoriaux de la Grande Guerre dans la fiction britannique contemporaine à travers Bird Song (S. Faulks), Evermore (J. Barnes), Another World (P. Barker) : incar- ou désincar- nation ? [Full text]
  Published in Études britanniques contemporaines, 36 | 2009
• Anne-Laure Fortin-Tournès
  Politique et poétique du roman sur la Shoah : l’engagement de l’écriture contre la banalité du mal dans The Zone of Interest de Martin Amis (2014) [Full text]
  Published in Études britanniques contemporaines, 50 | 2016
• Jean-Michel Ganteau
  The Wake of Dispossession: Patrick Neate’s Jerusalem [Full text]
  Published in Études britanniques contemporaines, 49 | 2015
• Jean-Michel Ganteau
  Horizons de l’inassimilable : du réalisme traumatique dans le roman britannique contemporain [Full text]
  Published in Études britanniques contemporaines, 40 | 2011
• Isabelle Gérardin
  Two Contemporary Representations of the Great War between Emotionand Irreverence: William Boyd’s and Pat Barker’s Regeneration [Full text]
  Published in Études britanniques contemporaines, 41 | 2011
• Jean-Michel Ganteau
  Ruins, or, The Ethical Logic of Traumatic Capitalism, with Special Reference to Peter Ackroyd [Full text]
  Published in Études britanniques contemporaines, 43 | 2012
• Jean-Michel Ganteau
  Entre mimétique du rien et réalisme traumatique [Full text]
  Published in Études britanniques contemporaines, 42 | 2012
• Jean-Michel Ganteau
  Trauma and the Ethics of Vulnerability: Jon McGregor’s Even the Dogs [Full text]
  Published in Études britanniques contemporaines, 45 | 2013

Index

• Authors
• Keywords

Full text issues

• 67 | 2024
  North, South, East, West: Cardinal Points and Regions in Contemporary British Literature and Arts
• 66 | 2024
  Transmissions
• 65 | 2023
  Fifty Years of Seeing with John Berger
• 64 | 2023
  Fault Lines
• 63 | 2022
  Disrupting the City: Urban Cris(e)s in Contemporary British Literature and Art
• 62 | 2022
  Renaissances
• 61 | 2021
  Invisible Lives, Silent Voices
• 60 | 2021
  Numéro spécial « Jeunes chercheurs »
• 59 | 2020
  Iris Murdoch and the Ethical Imagination: Legacies and Innovations
• 58 | 2020
  “Literature’s exception(s)”, E.M. Forster, V. Woolf
• 57 | 2019
  Narrative Democracy
• 56 | 2019
  “Revolutions”
• 55 | 2018
  Landscapes/Cityscapes Situational Identity in British Literature and Visual Arts (20th-21st Centuries)
• 54 | 2018
  (Re)constructions/(Re)inventions/(Re)mediations in 20th Century English Literature
• 53 | 2017
  Bare Lives/Virginia Woolf: Becoming Photographic
• 52 | 2017
  Confluences
• 51 | 2016
  LOL
• 50 | 2016
  Commitment
• 49 | 2015
  State of Britain
• 48 | 2015
  Crossing into Otherness—Outlanding Woolf
• 47 | 2014
  The Imaginaries of Space
• 46 | 2014
  Labelling / Naming / Addressing
• 45 | 2013
  The Age of Outrage
• 44 | 2013
  Transparency
• 43 | 2012
  Ruins
• 42 | 2012
  Le rien
• 41 | 2011
  Swift/Le je(u) de l'émotion
• 40 | 2011
  L’horizon
• 39 | 2010
  Rhythm in Twentieth-Century British Poetry
• 38 | 2010
  Essais
• 37 | 2009
  “At an Angle to the World”: Elsewhere in 20th-Century British Art
• 36 | 2009
  “La résurgence”
• 35 | 2008
  Les choses dans le théâtre anglais et irlandais contemporain
• 34 | 2008
  L'envers du décor
• 33 | 2008
  The Critical Writings of Twentieth-Century British Novelists
• 32 | 2007
  L'étrange, l'étranger
• 31 | 2006
  The Infinite Dialogue
• 30 | 2006
  Texte, contexte, hors-texte
• Hors série | 2005
  Conversation in Virginia Woolf's Works
• 29 | 2005
  Mémoire
• 28 | 2005
  Congrès de la SAES Versailles-Saint-Quentin, mai 2004 « Parcours/détours »

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