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Quitterie de Beauregard

Ruins of the Future: Decaying Urban Landscapes in Richard Jefferies, J.G. Ballard and Angela Carter’s Speculative Fiction (After London, The Drowned World and The Passion of New Eve) [Full text]

Published in Études britanniques contemporaines, 63 | 2022
Cédric Courtois

Bernardine Evaristo’s ‘Black’ British Amazons: Aesthetics and Politics in Girl, Woman, Other (2019) [Full text]

Published in Études britanniques contemporaines, 60 | 2021
Julie Bénard

The Capital of the Ruins by Samuel Beckett: Re-construction as a ‘Re-distribution of the Sensible’ [Full text]

Published in Études britanniques contemporaines, 54 | 2018
Christine Reynier

Virginia Stephen (Woolf) et le rire comme horizon [Full text]

Published in Études britanniques contemporaines, 40 | 2011
Cyrielle Garson

Verbatim Theatre and New Writing in Britain: A State of ‘Kindred Strangers’? [Full text]

Published in Études britanniques contemporaines, 48 | 2015
Cyrielle Garson and Madelena Gonzalez

‘What a Carve up!’ The Eclectic Aesthetics of Postmodernism and the Politics of Diversity in some Examples of Contemporary British Verbatim Theatre [Full text]

Published in Études britanniques contemporaines, 49 | 2015
Jean-Michel Ganteau

Ruins, or, The Ethical Logic of Traumatic Capitalism, with Special Reference to Peter Ackroyd [Full text]

Published in Études britanniques contemporaines, 43 | 2012
Madelena Gonzalez

United States of Banana (2011), Elizabeth Costello (2003) and Fury (2001): Portrait of the Writer as the ‘Bad Subject’ of Globalisation [Full text]

Published in Études britanniques contemporaines, 46 | 2014
Christine Reynier

The Outrageousness of Outrage: Daphne du Maurier’s ‘Monte Verità’ [Full text]

Published in Études britanniques contemporaines, 45 | 2013

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