Mots-clés – Jonathan Coe

Editorial

• Catherine Bernard
  Introduction [Full text]
  Published in Études britanniques contemporaines, 54 | 2018

Article

• José Ramón Prado-Pérez
  ‘There’s a Lot to Be Said for Making People Laugh’: The Grotesque as Political Subversion in Jonathan Coe’s Fiction [Full text]
  Published in Études britanniques contemporaines, 51 | 2016
• Christian Gutleben
  Bleak Humour: Jonathan Coe’s Politeness of Despair in The Rotters’ Club [Full text]
  Published in Études britanniques contemporaines, 51 | 2016
• Jean-Michel Ganteau
  Exposures: Humour and Vulnerability in some Contemporary British Novels [Full text]
  Published in Études britanniques contemporaines, 51 | 2016
• Catherine Lanone
  Ebc, the SEAC, or New Directions in English Studies [Full text]
  Published in Études britanniques contemporaines, 50 | 2016

Book review

• Catherine Bernard, Jean-Michel Ganteau, Vanessa Guignery, Diane Leblond and Vanessa Guignery
  Recent British Fiction [Full text]
  Concluding panel of the 2013 SEAC conference
  Published in Études britanniques contemporaines, 47 | 2014

Chronicle

• Vanessa Guignery
  ‘An Interview with Jonathan Coe—Looking Backwards and Forwards’ [Full text]
  Published in Études britanniques contemporaines, 54 | 2018

Index

• Authors
• Keywords

Full text issues

• 67 | 2024
  North, South, East, West: Cardinal Points and Regions in Contemporary British Literature and Arts
• 66 | 2024
  Transmissions
• 65 | 2023
  Fifty Years of Seeing with John Berger
• 64 | 2023
  Fault Lines
• 63 | 2022
  Disrupting the City: Urban Cris(e)s in Contemporary British Literature and Art
• 62 | 2022
  Renaissances
• 61 | 2021
  Invisible Lives, Silent Voices
• 60 | 2021
  Numéro spécial « Jeunes chercheurs »
• 59 | 2020
  Iris Murdoch and the Ethical Imagination: Legacies and Innovations
• 58 | 2020
  “Literature’s exception(s)”, E.M. Forster, V. Woolf
• 57 | 2019
  Narrative Democracy
• 56 | 2019
  “Revolutions”
• 55 | 2018
  Landscapes/Cityscapes Situational Identity in British Literature and Visual Arts (20th-21st Centuries)
• 54 | 2018
  (Re)constructions/(Re)inventions/(Re)mediations in 20th Century English Literature
• 53 | 2017
  Bare Lives/Virginia Woolf: Becoming Photographic
• 52 | 2017
  Confluences
• 51 | 2016
  LOL
• 50 | 2016
  Commitment
• 49 | 2015
  State of Britain
• 48 | 2015
  Crossing into Otherness—Outlanding Woolf
• 47 | 2014
  The Imaginaries of Space
• 46 | 2014
  Labelling / Naming / Addressing
• 45 | 2013
  The Age of Outrage
• 44 | 2013
  Transparency
• 43 | 2012
  Ruins
• 42 | 2012
  Le rien
• 41 | 2011
  Swift/Le je(u) de l'émotion
• 40 | 2011
  L’horizon
• 39 | 2010
  Rhythm in Twentieth-Century British Poetry
• 38 | 2010
  Essais
• 37 | 2009
  “At an Angle to the World”: Elsewhere in 20th-Century British Art
• 36 | 2009
  “La résurgence”
• 35 | 2008
  Les choses dans le théâtre anglais et irlandais contemporain
• 34 | 2008
  L'envers du décor
• 33 | 2008
  The Critical Writings of Twentieth-Century British Novelists
• 32 | 2007
  L'étrange, l'étranger
• 31 | 2006
  The Infinite Dialogue
• 30 | 2006
  Texte, contexte, hors-texte
• Hors série | 2005
  Conversation in Virginia Woolf's Works
• 29 | 2005
  Mémoire
• 28 | 2005
  Congrès de la SAES Versailles-Saint-Quentin, mai 2004 « Parcours/détours »

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